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NFTs and digital objects

DAOseCommercemarketingmicroeconomicsNFTs and digital objectsSocial / Communityvisual art
·Jul. 4, 2021

Luxury and Fashion market structure applied to finance, NFTs, and DAO

Luxury and fashion markets are structurally different from finance or commodity markets in that they seek to limit supply in order to generate value. This increases price and social status. We can analogize these brand dynamics to what is happening in NFT digital object markets and better understand their function as a result.

We’re not cool. That’s why we’re in finance.

But people want to be cool. As highly social and intelligent animals, we want and need to belong, differentiate against each other, and negotiate for status. We create signals and hierarchies to create pockets of relational capital, which we then cash in for real world benefits.

Such mammalian realities are contrary to the economic rendering of the homo economicus, the abstracted rational agent making choices in financial models. In 2021, our financial models are waking up and instantiating themselves, becoming Decentralized Autonomous Organizations (DAOs), spun up by DeFi and NFT industry insiders, and implemented into commercial actions onchain.

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civilization and politicscrowdfundingDAOsICO / IEONFTs and digital objectsvisual art
·Jun. 24, 2021

Inspiring creativity, collaboration, and visual conversation by harnessing decentralized tech, with Beatriz Helena Ramos of DADA.art

In this conversation, we talk with Beatriz Helena Ramos – artist, entrepreneur, film director, producer and illustrator – the mind behind DADA.art. DADA is “a space where everything is about cooperation and solidarity, which are amazing ways to allow self-expression, as well as constant inspiration. Additionally, we provide simple tools to encourage creativity, and erase intimidation.”

More specifically, we discuss Beatriz’s journey to creating DADA, decentralized power structures, community-inspired creative collaboration, assymetric rewards in NFT markets driving new value distribution methodologies, DADA’s latest project called “The Invisible Economy”, and technology-inspired and centric approaches to empower artists in the future.

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Cryptoidentity and privacyMetaverse / xRNFTs and digital objects
·May. 7, 2021

Decentralized Identity and the Metaverse, with Michael Sena of The Ceramic Network

In this conversation, we talk with Michael Sena of uPort, 3Box Labs, and The Ceramic Network about web3.0, decentralized identity, and the various standards that he has been implicit in creating. Additionally, we explore the nuances around data ownership and identity, the journey from founding uPort to now 3Box and the Ceramic network and how the practical implementation of these ideas has changed as the decentralized web has changed from Web2.0 to Web3.0, and conclude on how the metaverse will be composed of decentralized identity and the protocols on which it travels.

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DAOsMetaverse / xRNFTs and digital objectsvisual art
·May. 3, 2021

The top 5 NFT trends for 2021, and current state of the NFT market

This week, we discuss the current state of the NFT markets, and our top 5 trends for NFTs beyond the initial hype:

  • Incumbent media NFTs and enterprise IP networks

  • Programmatic and generative art, and the blockchain medium

  • Digital Museums, DAOs, and the growth of the Metaverse

  • What it means to own the NFT: IPFS and multi chain support

  • Integration into DeFi and traditional portfolio management

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decentralized financeNFTs and digital objectsregulation & complianceSocial / Community
·Mar. 29, 2021

Are the NFT and DeFi markets recreating traditional human hierarchies through new social capital?

This week, we look at:

  • The fundraises of Jumio ($150MM), Feedzai ($200MM), and Chainalysis ($100MM) and the function they perform in the fintech industry

  • The nature of human competition and hierarchies, and why inequality is recreated across the various economic networks that exist

  • How the NFT markets have higher engagement than DeFi, which is more participatory than Fintech, which is more participatory than finance

  • The emergence of signalling in the crypto economy that resembles digital citizenship and social capital

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music industryNFTs and digital objectspaytechphilosophySocial / Community
·Mar. 8, 2021

Why Square bought Jay Z’s music service Tidal for $300MM, and how the NFT-driven transformation of music royalties and ownership can explain this future

This week, we look at:

  • Square acquiring Tidal and its 1-2 million of subscribers for $297 million, and the logic for what a payment processors has in common with the creative industry

  • How celebrities and creators like Mark Cuban, Gary Vaynerchuk, Grimes, 3LAU and others are generating millions in NFT sales

  • The impact on the economic model of the music industry, including a look at royalty structures, revenue pools, and financial vehicles when tokenized

  • The philosophical divide growing between a feudal platformed commons (e.g., YouTube) and a collectivist anarchist capitalism

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music industryNFTs and digital objectssupply chain / tradevisual art
·Mar. 5, 2021

How a moment on the NYC 6 train turned into using NFTs in the $74T supply chain industry before NFTs were cool, with Tyler Mulvihill of EulerBeats

In this conversation, we talk with Tyler Mulvihill of Treum and EulerBeats, about how he became involved in the very first non-financial production grade blockchain use case, tracking & tracing tuna from Fiji to New York using Treum. Additionally, we explore the nuances of NFTs and how EulerBeats is using bonding curve economics to price the future of NFT use rather than mere collection.

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NFTs and digital objects
·Feb. 19, 2021

The $250M of non-fungible tokens and the $200MM crypto neo-cyberpunk art market for digital objects (e.g., Beeple, NBA Top Shots), with emerging financial features

In this conversation, I talk with Matt Low of QPQ.io and InveniumX Limited, about digital collectibles, crypto art, NFTs, and all the fun decentralized things going on. The market is annualizing to $200 million in sales volume based on CryptoArt.io, and $250 million in asset issuance according to NonFungible.

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decentralized financeNFTs and digital objectsphilosophysupply chain / tradevisual art
·Feb. 8, 2021

Non-fungible tokens and crypto art (like Hashmasks) will create multi-billion markets for digital objects with financial features

This week, we look at:

  • Hashmasks, CryptoPunks, and other large NFT / crypto art projects generating tens of millions of USD trading volume

  • Perceptions of financial value, as well as whether it matters to have an “original” digital art piece relative to its digital copy

    The intersection of collectibles with decentralized finance, and its collateralization, tranching, lending, and trading, as well as a view on 2021

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augmented realityMetaverse / xRNFTs and digital objectsvisual art
·Jan. 8, 2021

Lessons for banking and finance from video game interface design

We’ve had this write-up in some various mental states floating around for a while, and better done than perfect. So treat this as a core idea to be fleshed out later.

Payments and banking companies should be looking at how people purchase and store digital goods and digital currency in video games. That experience has been polished over 40 years, and is what will be the default expectation for future generations.

For those interested, here is a website that collects user experiences of shopping across hundreds of designs.

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